John Michael Swartz

I have found it to be the case that when I get into a good rhythm - of anything, really: music, biking, taking pictures - doing it daily or nearly-daily - there's a nice loosening effect. I care less and less about how it's going to be in the future, what it has to do with the past. I'm unhaunted by imaginary eyes and ears.

Maybe that's happening a bit here.

Leaning into haze and flare a little bit more, soft-focus fields of "subject-less" texture. I think these'll become a bit more prominent in my visual fascinations. No doubt a lot of this is inspired by (and dependent on) the peculiarly inspiring quality of the light and colors at this time of year.

So then the question is: how can I get this into sounds?