John Michael Swartz

Odds and ends from around the city

9/16/2025 (jump to writing)

The top half of a tree and some rowhouses in Kensington (framing out parked cars)
The top half of a tree and some rowhouses in Kensington (framing out parked cars)
An extremely busy composition near Moynihan Train Hall
An extremely busy composition near Moynihan Train Hall
The Empire State Building merging with other buildings
The Empire State Building merging with other buildings
Tilted grab-shot of pedestrians, some striking the lens
Tilted grab-shot of pedestrians, some striking the lens
Blurry grab-shot of a pub in Hell's Kitchen
Blurry grab-shot of a pub in Hell's Kitchen
Dark dusk duckweed at the Lullwater Bridge
Dark dusk duckweed at the Lullwater Bridge
Dark dusk duckweed and sodium lamplight shadows at the Lullwater Bridge
Dark dusk duckweed and sodium lamplight shadows at the Lullwater Bridge
A small house framed by a dead vine-covered tree at night in Hamilton Beach
A small house framed by a dead vine-covered tree at night in Hamilton Beach
Logs, duckweed, and other vegetation at the edge of Prospect Park Lake
Logs, duckweed, and other vegetation at the edge of Prospect Park Lake
Floating primrose-willow and duckweed in Prospect Park Lake
Floating primrose-willow and duckweed in Prospect Park Lake

Here are some interesting odds and ends from the end of August and September. They're a bit stylistically haphazard, but it's good to till the soil and plant a cover-crop every now and then.

As with wildlife photography, I don't really do street photography. So there's one shameful grab-shot from the hip. Although tilted like a Winogrand and containing a few Winogrand-y elements, it lacks a heroic subject element (human or otherwise) that is exemplary of his work. Getting that kind of thing in an urban street photo requires way more chutzpah than I have.

There is one accidental BIF picture. One necessarily reads about bird photography when reading around the internet about using Olympus cameras, because they are very popular for that use-case. This is how I learned about the acronym "BIF". It means Birds In Flight. I didn't even register the pigeons flying through the "very busy composition" photo when I was taking it.

One thing I haven't done a lot of with the OM-D are longer exposure urban nightscapes or available-light stuff. I did a lot of that in college and my 20s, often with a tripod and film. The in-body stabilization of the OM-D is so good that I was able to get very sharp 4-10 second handheld exposures. At the longer end of that range, bracing against a tree was sufficient. The issue with longer handheld exposures isn't usually hand-shake per-se, but foward-backward movement, especially if you're squatting.

The lake photos are with the waterproof camera, just from above rather than below (see the previous post). I was able to identify the plant in the last photo by uploading it to Pl@ntNet, which was impressive. I wonder if they are using AI or what kind of AI is being used on their back end. I would like to see this plant flowering some day.